Edge highlighting cold blues
Notes on building up Ultramarine plate: thinned base, two glaze passes, then a fine ochre-free edge with a worn metallic chip layer.
Notes
Rust, oils and verdigris
A repeatable recipe for grimy Nurgle textures using pigments, oil washes and stippled verdigris over brass.
Object-source lighting on gauss weapons
How I keep OSL believable: pick one source, desaturate as it falls off, and never let the glow touch every surface.
Desert tomb bases
Cracked-earth texture, a warm sand drybrush, and a couple of broken-pillar offcuts.